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Comparison

Postcard Sleeves Compared: Polypropylene vs Polyester vs PVC

Sleeves are the most important supply in postcard collecting. They protect cards from fingerprints, abrasion and each other, and they make it possible to handle a collection without wear. But not all clear plastic is the same. Some sleeves are stable for decades; others can release chemicals that damage the very cards they are meant to protect.

This guide compares the three plastics you will meet most often, explains the labels worth looking for, and helps you pick the right sleeve for each part of a collection. It focuses on sleeves specifically; for boxes, dividers and albums, see our broader postcard storage guide.

The three plastics side by side

Polypropylene (PP)Polyester (PET)PVC (vinyl)
Archival when uncoated?Yes, widely acceptedYes, widely considered the most stableNo
ClarityGood, slightly hazyExcellent, glass-likeClear when new
StiffnessSoft to mediumStiffSoft and clingy
StaticLowCan be higher; avoid for flaking surfacesVaries
CostLowest of the safe optionsHigherLow
Best forBulk of a collectionBest cards, RPPCs, displayNothing in a collection

Polypropylene: the workhorse

Most postcard sleeves sold to collectors are polypropylene. Uncoated polypropylene is chemically inert enough that conservation suppliers sell it for paper and photographs. It is inexpensive enough to sleeve thousands of cards, flexible enough to slide cards in without catching corners, and has low static.

Its downsides are minor. Thin polypropylene can wrinkle or crease if you pack a box too tightly, and it is not quite as clear as polyester, so scans through the sleeve are a little softer. For most collections, polypropylene is the right default.

Polyester: the premium option

Polyester film (often sold under trade names such as Mylar) is the material conservators commonly reach for when they want maximum stability and clarity. It is stiffer, so it gives a card more support, and it looks excellent in display. It also costs more, which is why most collectors reserve it for a subset of cards.

One caution: polyester can build up static charge. That is not a problem for an ordinary printed card in good condition, but it is generally advised to avoid static-prone enclosures for anything with a flaking, powdery or friable surface, such as loose glitter, crumbling hand-colouring or damaged emulsion.

Why PVC is a problem

PVC (polyvinyl chloride) is made flexible with plasticizers. Over time those plasticizers can migrate out of the plastic, leaving an oily film, and PVC can degrade and release acidic compounds. The results on paper and photographs can include sticking, staining and damage to images. This is why conservators consistently advise against PVC for long-term storage.

How to spot PVC

If you inherit cards in old vinyl pages or magnetic albums, move them out carefully once you have read our guides to antique postcard albums and handling stuck cards. If a card is firmly stuck, do not force it; ask a paper conservator.

Labels worth looking for

Getting the size right

Most vintage postcards are close to the standard size of about 3.5 x 5.5 inches. Later chromes and modern cards are often the larger continental size of about 4 x 6 inches. Sleeve makers usually label their products for one or the other, and some offer a slightly larger "deluxe" or oversized fit.

Your cardsSleeve to look forNotes
Early cards, golden age, white border, linen, most RPPCsStandard postcard sleevesMeasure a few first; sizes vary slightly between publishers
Later chromes and modern cardsContinental sleevesA standard sleeve will not fit
Mixed collectionBoth sizesDo not force standard cards into continental sleeves to save time; they slide around
Thick, embossed, or add-on cardsSlightly larger or deluxe sleevesAvoid pressure on embossing and attachments
Oversize, panoramic or fold-outsCustom or larger sleevesDo not fold to fit

Not sure which size your cards are? Measure a few, and compare with listings for the same era:

A good sleeve has a little room on each side so the card slides in without pushing on the corners, but not so much that it shifts freely.

Top-loaders and rigid holders

Rigid holders, sometimes called top-loaders, add stiffness. They are useful for shipping, for a few special cards in a display, and for anything you handle often. They are bulky, so most collectors do not put a whole collection in them. Many people put the card in a soft sleeve first, then into the rigid holder, which reduces scuffing.

How to sleeve cards without damage

  1. Wash and dry your hands, or wear clean nitrile gloves for real photos and glossy surfaces.
  2. Work on a clean, flat surface with plenty of room.
  3. Open the sleeve fully and slide the card in by its edges, short side first. Do not push on a corner.
  4. Do not force fragile cards. If the card catches, take it out and try a larger sleeve.
  5. Do not seal with tape. Open-ended sleeves are standard; tape adhesives can damage paper over time.
  6. Store upright in a box that fits, with dividers, and not packed so tightly that sleeves buckle.

Sleeves are only part of the answer

A sleeve protects from handling and abrasion, but it cannot fix a bad environment. Heat, humidity swings and light do more long-term damage than most handling. Keep cards in a stable, cool, dry interior space, away from attics, basements, exterior walls and direct sunlight. Conservation sources commonly advise moderate, stable relative humidity rather than very damp or very dry conditions; follow the guidance of a reputable conservation organization if you are storing valuable material.

Buying sleeves sensibly

Buy from a supplier that names the material. Buy a small pack first and test the fit on your actual cards, then buy in bulk. If you sell cards, keep a supply of sleeves and rigid holders for shipping; buyers notice. Some collectors also find good-quality supplies through other collectors and dealers' lots.

The bottom line

Verdict: For most collections, uncoated polypropylene sleeves in the right size are the sensible default. Use polyester for your best cards and real photos, avoid static-prone sleeves for flaking surfaces, and get anything out of PVC as soon as you can do so safely.

FAQ: Are polypropylene sleeves archival? :: Uncoated polypropylene is widely accepted as safe for long-term storage of paper and photographs. Check that the product names the material and says it is PVC-free and archival. FAQ: Is Mylar better than polypropylene for postcards? :: Mylar is a trade name for polyester film, which is clearer, stiffer and considered very stable. It is often used for high-value cards and photographs. Polypropylene is also archival and costs less, so many collectors use both. FAQ: Why are PVC sleeves bad for postcards? :: PVC contains plasticizers that can migrate out, and PVC can release acidic compounds as it ages. Over time this can stain, stick to or damage cards, which is why conservators advise against it. FAQ: What size sleeve fits a vintage postcard? :: Most vintage postcards fit standard postcard sleeves, made for cards about 3.5 by 5.5 inches. Later chrome and modern cards are often the continental size of about 4 by 6 inches and need larger sleeves. FAQ: What is the PAT test? :: The Photographic Activity Test is an international standard test of whether storage materials are likely to harm photographs. Sleeves that state they passed it are a good choice for real photo postcards.

Frequently asked questions